Before the movies, Ray crafted ads, book covers. His love affair with the storyboard never really ended. The sketches always came first, even before the script.
Ray had an imagination rooted, from the start, in moving images. See how Santiniketan, Tagore, and the simple beauty of Bengal shaped his art.
A six-year restoration journey spearheaded by filmmaker Wes Anderson has culminated in Satyajit Ray‘s 1970 masterpiece “Aranyer Din Ratri” (“Days and Nights in the Forest”) securing a slot at Cannes ...
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