Welcome back to our queer film retrospective, “A Gay Old Time.” In this week’s column, we’re revisiting 1986’s Mala Noche, the directorial debut of New Queer Cinema filmmaker Gus Van Sant. It’s ...

With ‘Dead Man’s Wire’ premiering out of competition in Venice, the elusive auteur looks back on a career defined by risk, reinvention and ignoring all the rules. By Scott Roxborough Europe Bureau ...

The pleasing circularity of Gus Van Sant’s masterful Paranoid Park is not only a function of the film’s narrative structure, but a reflection of the arc of its maker’s career. Few directors have ...

The pleasing circularity of Gus Van Sant's masterful Paranoid Park is not only a function of the film's narrative structure but reflects the arc of its maker's career. Few directors have revisited ...

CANNES, France (Hollywood Reporter) - In "Paranoid Park," Gus Van Sant enters the world of high school kids just as he did in "Elephant," achieving this time a much sharper, more focused portrait of ...

There’s no such thing as a typical Gus Van Sant film. With the possible exception of Steven Soderbergh, no American filmmaker working today has had a career marked by such radical shifts in style, ...